In the year 1704, Anastasia is planning to marry her sweetheart in secret in an attempt to escape her violent father. After her attempt is thwarted, however, she is forced to marry an older silk weaver and begin a new life, against her wishes, in Venice. Not content with swapping one abusive life for another, she plots her escape. In 2017, another woman, Millie, is also experiencing relationship problems. When her affair with married boss Max is abruptly ended, she is happy to travel to Italy to write an article for work, where she meets, and falls in love, with Lorenzo. She soon becomes fascinated by the silk making process and is determined to identify the mysterious woman in a portrait she has seen.
I admit that I did not know what to expect when I started to read this book as romantic fiction is a genre out of my comfort zone. I do enjoy dual time-frame books, however, and I was intrigued by the mystery concerning the subject of the painting. When I began to read, I started to have reservations as Millie’s story did not really grab me. A soon as Anastasia’s story kicked in, though, I found myself reading at a much quicker pace, desperate to know how she would escape from her husband. As the book progressed, and there began to be cross-overs between the two time-frames, I started to enjoy Millie’s story much more and was keen to know how their respective stories would end.
Of the two main characters, Anastasia was, by far, my favourite: a strong woman who overcame her fears and tragedies to achieve a fulfilling and rewarding life. Millie, on the other hand, I wanted to shake at times for allowing Max to railroad her into decisions that she did not really want to make. I found it interesting that the more independent woman was the one from the eighteenth century, a time when women had fewer rights than their twenty-first century counterparts.
It is obvious that the author has done a tremendous amount of research to merge fact with fiction, providing a fantastic historical account of the silk trade in eighteenth century Italy. Debbie Rix has painted an evocative picture of the book’s locations, whether it be Venice, Amsterdam or Spitalfields and truly transports you back to the eighteenth century.
For any fans of historical fiction or, indeed, any Italophiles, The Silk Weaver’s Wife is a great read.
With thanks to Bookouture and Net Galley for my copy.